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The Creator All images ?Disney. Editorial use only.

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The Creator review: A mishmash of science fiction ideas

Set during a futuristic war between humans and artificial intelligence, The Creator is nothing if not spectacular. Shame it is cobbled together from the tropes of other science fiction movies, says Simon Ings

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Aliza Nisenbaum, Susan, Aarti, Keerthana and Princess, Sunday in Brooklyn, 2018, oil on linen ? Aliza Nisenbaum. Photo courtesy the Artist and Anton Kern Gallery, New York Real Families: Stories of Change Fitzwilliam Museum, Cambridge 6 Oct 2023 - 7 January 2024 Terms of Loan These images are on loan to you, and are accepted by you under the following terms and conditions: That the reproductions are accompanied by the artist, title, date, lender and copyright line; That the reproductions are not cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner; That the images are only reproduced to illustrate an article or feature reviewing or reporting on Real Families: Stories of Change at the Fitzwilliam Museum (section 30 (i) and (ii) of theCopyright, Designs and Patents Act 1988); That any reproductions are not used for marketing or advertising purposes. Press use is considered to be moderate use of images to report a current event or to illustrate a review or criticism of the work, as defined by the Copyright, Designs and Patents Act 1988 Chapter 48 Section 30 Subsections (1)-(3). Reproductions which comply with the above do not need to be licensed. Reproductions for all non-press uses or for press uses where the above criteria do not apply (e.g.covers and feature articles) must be licensed before publication. Further information can be obtained atwww.dacs.org.uk or by contacting DACS licensing on +44 207 336 8811. Due to UK copyright law only applying to UK publications, any articles or press uses which are published outside of the UK and include reproductions of these images will need to have sought authorisation with the relevant copyright society of that country. The use of images for front covers may attract a fee and will require the prior authorisation of the holder of the work. Please contact kitty@sam-talbot.com

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Real Families exhibition: How we redefined families for a new world

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Anson Mount as Pike in the trailer of Star Trek: Strange New Worlds, streaming on Paramount+, 2023. Photo Cr: Michael Gibson/Paramount+

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91av recommends season two of Star Trek: Strange New Worlds

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CARDIFF, WALES - JUNE 20: Police facial recognition cameras in operation on Westgate Street ahead of a Harry Styles concert at the Principality Stadium on June 20, 2023 in Cardiff, Wales. Members of the European Parliament recently backed an effective ban on live face recognition cameras in public. A live face recognition camera works by comparing faces with a

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Your Face Belongs to Us review: What is happening to public privacy?

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The Beast review: Is AI the beast in a powerful tale about emotions?

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The Beast review: Is AI the beast in a powerful tale about emotions?

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The best new science fiction books of October 2023

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The best new science fiction books of October 2023

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Camilla Nord

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Camilla Nord interview: A personalised approach to mental health

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91av recommends The Retrievals and Ben Smith's Traffic

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91av recommends The Retrievals and Ben Smith's Traffic

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2HA34RX Arrival Year : 2016 USA / Canada Director : Denis Villeneuve Amy Adams. Image shot 2016. Exact date unknown.

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Life and Language Beyond Earth review: How aliens might communicate

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Episode 7. Antonia Thomas in

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Still Up review: Insomnia rom com is worth staying up for

Two friends with insomnia spend their nights chatting about possible treatments in Still Up, a rare look at how the condition can affect relationships – and a charming romantic comedy, says Bethan Ackerley

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The 10 best time travel movies ever made, according to a metaphysicist

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Five of sci-fi's best corporate villains, according to author John Scalzi

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91av Live: What we are most looking forward to seeing in 2023

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The Deadly Rise of Anti-science review: The personal cost of research

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