

(Komorebi)
In this high-concept, anime-inspired album, Komorebi becomes her alter ego, Kiane, an alien who visits Earth on a voyage of self-discovery. Transported by delicate vocals and the sweeping orchestration, I felt punch-drunk by the end. Bethan Ackerley
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(Complete Mountain Almanac)
Rebekka Karijord and Jessica Dessner have puttogether something remarkable with this album thatstarted as a climate changeproject, but morphed after Dessner’s breast cancer diagnosis. It is a haunting work on nature’s healing cycles. BA

(Marcus Strickland Twi-Life)
The wonder of our planet and the cosmos is threaded through every track of this Afrofuturist album. Through his playful jazz, Marcus Strickland celebrates Earth as a uniquely perfect cradle for life – and argues this should spur action on climate change and inequality.

(Ashnikko)
Full of swagger and rage, Ashnikko’s debut studio album is a caustic rebuke of our times. Set in a world where super-intelligent machines have wrecked nature, this revenge narrative is weaved with themes of parasitism and bodily autonomy, particularly in the stand-out track Worms.

(Doug McKechnie)
Doug McKechnie was one of the first to get access to a modular Moog synthesiser. This collection brings together his recordings from a crucial moment in music history, when electronic instruments were beginning to show their potential. BA

(Susanne Sundfør)
In ó (“be inbloom”, fromIcelandic), Susanne Sundfør has created a complex set of tracks touching on Norse mythology, family
and the climate crisis. Above all,though, it is an ode to her daughter and to becoming amother. The sonic palette isall-encompassing. Take leikaraljóð, which starts with birdsong, adding rhythmic hand claps followed by harmonised chants, rising to a crescendo. Itistimeless and expansive– abeacon of hope amid an overwhelming world. Tim Boddy

(Miss Grit)
This debut album is timely with itsthemes of AIand machine learning. Miss Grit (aka Margaret Sohn) uses the trope of a cyborg achieving awareness to explore self-hood, including gender identity. Syncing is the most beautiful break-up track you are ever likelyto hear– between a cyborgand its creator. TB

Perfect Picture (Hannah Diamond)
Hannah Diamond continues toplaywith exaggerated femininity encased in bubble-gum pop. In herstrongest work to date, critiquesof online culture and self-perception feelfocused, aware and mature.Affirmations is thebestsong not on the Barbiesoundtrack. TB

(Benjamin Tassie)
Benjamin Tassie explores the industrial heritage of Sheffield, UK, inthis highly original album thatdraws on the city’s rich pastthrough three new water-powered instruments, made with instrument designer Sam Underwood. These were taken to the Rivelin valley, whichhas been shaped by watermills. Tassie recorded there, and this relationship givesthe river Rivelin its voiceback, evoking a time of thriving industry with delicate, captivating results. TB

(Modern Nature)
“It’s a lot to take in… It’s impossible to see,” sings Jack Cooper on the serene track, Ensõ. Cycles of growth and rebirth pulse through the trio’s third album, reflecting their move from rock to jazz-folk. Visions of English countryside, of dusk and dawn, burrow into your psyche in this intriguing slow burner. TB
Listen along to our picks with this , created by Bethan Ackerley.