If there was a paucity of new science fiction in August, then September more than makes up for it, with everything from a long-awaited piece of speculative fiction from China Miéville to a short story collection paying tribute to the genius of Ursula K. Le Guin, with contributions from names including Ann Leckie and Kelly Link. Then there’s a new near-future novel from Station Eleven author Emily St John Mandel, a fresh sci-fi series from the bestselling Brandon Sanderson (and co-author Janci Patterson) and a strange but intriguing tale from one of my favourite writers, Naomi Alderman.

edited by Jonathan Strahan

This is something I absolutely cannot wait to read: a collection of 15 new short stories, inspired by the work of the one and only Ursula K. Le Guin and intended to honour her amazing legacy. The names contributing are super impressive, including Karen Joy Fowler and Charlie Jane Anders: what a treat.

by China Miéville

China Miéville is one of our great contemporary writers, master of the weird and author of masterpieces including The City and the City and Embassytown (my personal favourite). New book The Rouse comes in two whopping volumes, and its publisher promises it is a “decade- and continent-spanning epic of grief, global tumult, and grim conspiracy”. I can’t tell you for sure that it’s science fiction, as I’ve yet to tackle the two doorstopper tomes I’ve been sent, but I can predict it will definitely be weird, and speculative. Michael Moorcock, no less, calls it “completely without parallel”. Exciting times.

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by Garth Nix

In my younger days, I was an avid reader of Garth Nix’s young adult Old Kingdom series, so I’m interested to see what this excellent author’s first venture into sci-fi will be like. It’s a military space opera, set in a universe where interstellar war rages between Earth and Mars – and where for over two centuries, humans have travelled into space on huge sentient mountain ranges known as Massifs. Then the crew of the ship Sassafras starts asking questions about why the Massifs carry humans to the stars – and talking to the powerful avatars piloting the ships.

by Brandon Sanderson and Janci Patterson

This is the first in the new Skyward Legacy series from the mighty Sanderson, co-written with Janci Patterson. It’s a complicated set-up: humans have warred against alien oppressors for decades. Now they’re free, and Arturo Mendez, leader of Skyward Flight, is sent on a mission to make contact with a settlement of humans isolated during the long war. But Blightfall, the planet he’s sent to, is more dangerous than he’d anticipated.

by Naomi Alderman

I am such a Naomi Alderman fan. We read her previous novel, The Future, with the 91av Book Club, and I loved it. This latest sounds much stranger and more speculative, but I’m here for anything from this author (her recent non-fiction book, Don’t Burn Anyone at the Stake Today, is also a big recommendation from me). Anyway: the plot here is that the novelist Naomi Alderman, grieving the loss of her mother, sets up a wildlife camera in her parents’ garden, and takes the first photo of a new animal, the “mimmoth”. These creatures spread across the world, harmless apparently, but strangely intelligent – what will their eventual impact be?

by Emily St John Mandel

Emily St John Mandel, author of Station Eleven, is very good at thoughtful, near-future tales, and here comes another. Set in 2031, this is a world where America is in the middle of a civil war – but where something even stranger might be going on. Ari, newly out of prison, goes to a party in Los Angeles, where she meets someone who looks exactly like her friend, but isn’t… Living in Paris a long time later, Ari is haunted by what happened at the party, and by what might lie beyond the boundaries of her world. I’ve started this one, and it’s living up to its promise so far.

by Ken Liu

This collection of short stories from the award-winning speculative author moves between science fiction and fantasy – from techno-witches battling a world ruled by machines, to a consciousness on a starship watching the cosmos die and be reborn.

by Jo Martin

This new Doctor Who novel sees the Fugitive Doctor and Martha investigating a strange object in the British Museum. Apparently a medieval toy, it refuses to stay in one place, time or identity.

by Hernan Diaz

This novel by the heavyweight literary author Hernan Diaz, winner of the Pulitzer Prize, takes place centuries in the future, following the adventures of a pincher, someone who steals electricity from the grid and sells it on the black market. This pincher, an orphan, goes on to discover an experiment that, if she can power it, could “change the fabric of reality itself”.

by Chloe Benjamin

Laurel is a biologist turned dishwasher at an Antarctic research station. She doesn’t tell anyone in her new life about the tragedy which made her leave her old one – but she becomes convinced that the mysterious Arc that appears across the ice could lead her to a new world where she could turn back the clock. I’m halfway through this one and am loving the biology and the Antarctic side of it. Can’t wait to see how the physics holds up.

by James Islington

This sci-fi thriller is set in a world where the poor die young, and the rich live forever. Assassin Azure is usually hired to kill the richest of people – but then he’s given a job to protect one of them. The publisher promises that this fuses “the dystopian morality of cyberpunk with the explosive action of anime”, which sounds pretty cool.

by Jordan Prosser

Abby, suffering the burden of being in her 30s without having achieved any of her dreams, decides she has a new purpose: becoming the first person on Mars. Luckily for her, a Danish entrepreneur is planning a one-way mission.

by Ai Jiang

Jiang, who also has a story in the Ursula K. Le Guin anthology out this month, sets this piece of “science-fantasy” in a world where the royal advisors are plotting to overthrow emperor Yun. Yun’s sister Xilian escapes to the drowning continent of Opera, a place filled with strange tech and dreams of immortality.

by Adam Simcox

It’s 2026, and time travel is a luxury commodity. So, Rachel, who killed Oliver in a car crash in 1997 when she was 18, goes back to save him – only for the future to change in bad ways that may have something to do with Oliver, with whom she’s now fallen in love…

by Django Wexler

Taj is a scrapper, living in a junkyard and keeping his family alive with the scrap he finds there. His one salvation? A “construct”, or robot, that he built himself, and which he hopes will win big in the construct fighting circuits.

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The 91av Book Club moved from a far-future space opera in July’s read, Claire North’s Slow Gods, to a much nearer future on Earth in our read for August. Peter Heller’s takes place after a flu pandemic has wiped out the majority of Earth’s population, and follows the story of Hig, a lonely pilot, his dog Jasper – and their somewhat problematic neighbour Bangley. If that pandemic-struck world sounds like Peter was riffing off the real events of 2020, he wasn’t: he wrote it well before covid, and (as he wrote in an essay for the book club) found it extremely eerie to find life imitating art, as the world shut down around us six years ago.

I have to start with an admission: I am a big Peter Heller fan. He was an adventure writer and journalist before turning to fiction, and I really enjoyed his thrillers The River and The Guide for their unique blend of gorgeous nature writing and heart-in-your-mouth survival. Somehow, I’d never got round to reading The Dog Stars, and when I discovered that it was about to be released as a film by Ridley Scott – and that it was a piece of post-apocalyptic fiction – I couldn’t wait to read it with our book club.

I wasn’t surprised to also love this novel. It combined all my favourite things: wilderness survival, a post-disaster world, lovely writing – and a Very Good Dog. I was fascinated to learn, in Peter’s essay, how he wrote the novel cold – no initial research, no planning: “It was as if Hig were on the other side of a campfire on an October night, with the wind blowing the flames around, telling me what had happened to him a few years before. I wrote in a white heat. I was constantly surprised, awed, devastated by what happened. I’d have tears dripping off my chin onto the coffee shop table.” In our interview, Peter also told me about how he decided on the nature of the apocalypse that would affect his world, and what it was like to see his characters appear on the big screen, courtesy of Scott – spoiler alert, there were tears.

There was more of a mixed response to The Dog Stars from book club members. Karen Warren “found the first half a bit tedious, and probably wouldn’t have carried on if it hadn’t been a book club choice”. But ultimately she was glad she did, and “couldn’t put it down towards the end”. “I loved the way that there was hope even in a seemingly impossible environment,” she wrote on , describing the novel as “a testament to the triumph of the human spirit”.

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The writing in this book is very distinctive – jumpy and disjointed, reflecting Hig’s state of mind. Readers entered into an interesting debate about the reason for this. “I read it as him losing some of his expressive power while living with Bangley: not much real conversation, not much novelty, a lot of silence and repetition,” wrote warsaw_sun. “There’s a suggestion of fever in his history, is that supposed to have affected his language, or is it just that ‘men of action’ try to cut the descriptions right down following Hemingway?” wondered Alan_P.

Overall, Alan was not a fan. “I’m sure a lot of people will enjoy the book – but for me the view of human nature is just too grim and not realistic,” he wrote. He compared The Dog Stars to Tim Winton’s Juice – another book club read that is also set post-apocalypse, this time a climate one. “What bothers me is how these stories naturalise the idea that the only way to survive is to become the very kind of armed, unchallengeable patriarch that helped create the violence in the first place,” he wrote. “As humans we do well when we cooperate and badly when we don’t. Perhaps I wouldn’t survive a holocaust, but I don’t think empathy is weakness, I don’t think that kindness is naivety, and I don’t want to read any more dystopias.”

For Kelly, The Dog Stars was “not so much an apocalypse story (the how and the why) but a people story”; for Barbara Howe, it was “as much an old-fashioned Western as it is science fiction, if not more so”. “As in, isolated men with guns defending their claim and their women against marauders.” Dee55, meanwhile, was left pondering the very nature of science fiction. “I’ve been meaning to ask other readers here – does anything set in the future automatically count as science fiction? Or does the epidemic make it science fiction because that’s not a known type?”

It’s a great question! For me, science fiction is a broad and generous church, ranging from the science-light writing of the likes of The Dog Stars or another book club read, Kaliane Bradley’s The Ministry of Time, to the hard sci-fi of Kim Stanley Robinson’s Red Mars and the space opera of Slow Gods. Next month, however, defining sci-fi isn’t something the book club will need to worry about…

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August is traditionally a quiet month in publishing, and this one is no different. But there are still science-fiction gems to look forward to, including a fascist empire, courtesy of Richard Swan, and some scary Korean sea monsters from Kim Bo-young. I can also recommend M. John Harrison’s The End of Everything, published earlier this year but just longlisted for the Booker prize. It’s rare for sci-fi to make this prestigious literary longlist so that is a tribute to Harrison’s writing – as our sci-fi columnist Emily H. Wilson highlighted last month. And do join us at the 91av Book Club, where we’re reading Peter Heller’s post-apocalyptic novel The Dog Stars, set after a superflu has wiped out most of humanity (and written well before covid-19). A Ridley Scott-directed film adaptation of it is about to be released, so we’re ahead of the crowd.

by Richard Swan

I hear good things about this one from Emily H. Wilson, who has a review forthcoming. It’s set in a fascist and galaxy-spanning empire, where Katherine Fuller’s husband has died, leaving her an immensely wealthy woman. Katherine is given the chance to buy a world, and create a better society – but will the empire let her make a democracy? It’s pitched by its publisher as Nineteen Eighty-Four meets The Man in the High Castle, which is enough to hook me.

by Kim Bo-young, translated by Sophie Bowman

I’m also really excited about this one, in which bodyguard Mu-young is heading to an isolated Korean seaside village with her niece when she learns that a huge earthquake has hit the region. She travels there regardless, but the earthquake unleashes an ancient plague, which turns those who catch it into “fishy monsters”. The village is locked down – and Mu-young is trapped. Perfect beach reading, perhaps?

by Tim Pratt

This space opera with a “touch of romance” follows graduate student Glenn and his girlfriend Vivy, a spy who has been tasked with stopping a rogue comet but finds herself also trying to find a stolen jewel that can destroy universes.

by C.A. Fletcher

I always love a post-apocalyptic story in which a few hardy souls are struggling to survive. As previously noted, we’re reading Peter Heller’s The Dog Stars in the 91av Book Club this month, and it’s a prime example of the genre. In Fletcher’s intriguing-sounding take, humans have stopped being able to have children (shades of P. D. James’s The Children of Men, perhaps?), and Mouse and Cat are our indomitable duo living in an almost-empty world, 200 years on.

by Andrea Hairston

I rather like this title – and the story sounds fun, too. It’s a murder mystery set in the multiverse, in which Oona (a St Berdoodle, which I’m assuming is a type of dog) and her owner Zsuzsu are investigating the death of a local celebrity. Oona, it turns out, can travel between dimensions, and she knows the identity of the killer. We are also promised “conundrums” and “alien tricksters” from the publisher.

by Nicole Brooks

A “once-in-a-lifetime flood” hits Raven’s family home, and she finds herself trapped on the roof with her children, her dog and her stepmother, struggling to survive. The novel is set over 6 hours and sounds very nail-biting – more thriller-y than sci-fi perhaps, but it’s an exploration of the power of a changing nature, so I’m keen to read it.

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by W.H. Chizmar

Described as a post-apocalyptic horror survival novel by its publisher, and therefore ticking all my favourite boxes, this follows the fallout when a government project to transport matter across the universe brings back something alive – and dangerous. When this “something” is being transported (in a lorry – come on, people!), its lorry overturns and “unleashes an otherworldly horror upon an unsuspecting New England countryside”. Three years on, a man is trying to stay alive on the US’s now-deadly East Coast.

by Jodi Taylor

This is the latest Smallhope and Pennyroyal time-travelling adventure, and sees Lady Amelia Smallhope attempting to relax after she nearly died in the last book. However, she and Pennyroyal are targeted by someone with knowledge of the latter’s “murky past”, and further adventures ensue.

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The 91av Book Club has spent July reading Claire North’s space opera . Set in the far future, it follows the fortunes of a civilisation that has just learned that their planet will be destroyed by a supernova – in 100 years’ time.

“What does it mean to look into the heavens and know the exact date when a star will die and with it, your world?” North wrote in a fascinating essay for book club members on why they started the book with this conceit. “What choices do you make, and what price would you pay to save yourself – or your civilisation?”

Alongside this end-of-the-world tale, Slow Gods is also a love story between North’s protagonist Maw, a pilot who can navigate the dangers of faster-than-light travel but who is a little prone to murdering people, and Gebre, a citizen of that planet on the brink of annihilation, Adjumir.

Our science-fiction columnist Emily H. Wilson had heartily recommended this one: “It has been a while since I have read a piece of science fiction so purely delightful.” I was also enraptured. North’s writing was elegant, insightful and effortlessly funny (I hate try-hard humour in my fiction). And the concept at the heart of the story, the idea of how a civilisation might deal with imminent, but not all that imminent, destruction? It was fascinating and terrifying; as North told me in our interview for book club members, this is a deliberate parallel with climate change. “Subtle metaphor it is not,” they said.

Slow Gods wasn’t only a hit with me and Emily – I think it’s one of our most popular books so far with members. “The writing is gorgeous, and it has the big concept space opera feel that I really like,” wrote adidubey on our . “One of the more satisfying reads we have had,” added Matthew. “This book club usually picks things I wouldn’t and some are good and some less so (none that I have not finished) but there is a lot of variety and it gets me out of my rut of only reading the familiar.”

I did find the opening a little stodgy and slow to get going, which is often a problem for space operas, as the writer looks to set their galactic scene. Butterfly368 was with me on this: “The beginning was a bit slow and confusing, but the deeper I got, the more invested I became. It’s one of those books that gradually pulls you in rather than grabbing you from page one,” they wrote. “I’m also enjoying its commentary on the meaning we create in our lives and on society and culture more broadly. It’s given me quite a bit to think about.” Melissa, however, loved it from the first. “50 pages in and totally engrossed. I’ve felt gut punched with recognition at some of the terrible treatment of people but also laughed into an empty room a couple of times. Whyyyyyy do I have to go to work?” she wrote.

Barbara Howe had some interesting comparisons to make with some of her favourite reads. “Reminded me a bit at the start of [Ann Leckie’s] Ancillary Justice, mainly in how much I was struggling to understand what was going on, and how many questions were raised early on that didn’t get answered until much later – if at all,” she wrote. “Also, whenever [Maw] talked about having trouble with social situations and understanding his feelings, I was reminded of Murderbot ‘having an emotion’.”

North, incidentally, had some interesting things to say in our chat about Maw’s struggle to fit in; he “is the protagonist you write when you are an adult diagnosed with autism late in your life”, they told me. North and I also dug into the multiple pronouns used in this story – something Carrie noted on Discord, writing that “I’m really enjoying the world building and while they can take a little getting used to, feel that the introduction of new pronouns really add to the story and provide insight into the cultures we’re being introduced to”. “People exist on a spectrum,” said North in our chat. “In the English language, we may still only really have ‘he’ and ‘she’ as the commonly accepted expression of gender, but that spectrum is enormous. It ranges from Arnold Schwarzenegger through to Harry Kane through to Alan Carr, then straight on keeps on going. The enormity of that spectrum feels too big for ‘he’ and ‘she’ to actually cover.”

Alan_P was another big fan. “I absolutely loved it. I’m looking up other books by the same author in my library which is something I rarely do,” he wrote. “I also (unexpectedly for me – I’m not a fan of romance in general) found myself really enjoying the love story at the centre of the book. For me it’s the very clever way that the author has woven these different themes of not quite requited love, galaxy spanning science fiction, commentary of contemporary events and a really good story that makes it one of my favourites in a good while.” A bit of a success, then!

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by Karmela Padavic-Callaghan

I started my colleague Karmela Padavic-Callaghan’s first book, , with trepidation. How could they deliver on its subtitle, “a life according to quantum physics”? I finished it with both a better understanding of all things quantum and a deeper desire to understand myself after reading Karmela’s own thoughtful journey as a queer, millennial immigrant.

This is a unique blend of memoir and science writing, in which Karmela interweaves growing up in Croatia, moving to New York, doing a physics PhD, teaching in high school and working as a 91av reporter with big physics concepts.

So, how do you make links between, say, indefinite causality and a life-threatening tooth infection, or wave-particle duality and the realisation that you are queer? Somehow, Karmela does, and it all works to create a book that is clear and friendly on a scientific level, and candid and insightful on a personal one.

I am on holiday later this month, so I’m pleased to find there’s a really wide range of intriguing new science fiction to take with me. I’m particularly keen to get cracking on a tale by Sheila Armstrong about strange ancient things found in a bog, but I’m also excited to read a new book by one of my favourite authors, Paul Tremblay (even if it does sound very disturbing). And I’m looking forward to the high-concept thrillers and classic space-set sci-fi on offer, too – not forgetting the first new Red Dwarf novel released in 30 years.

by Ruth Newton

This sounds a little Severance-like and ideal summer reading for those of us who enjoy a good high-concept thriller. It’s set in a near future where you can outsource your emotional pain thanks to a biotech company, Eudaimonia. Sounds good, right? You can get rid of your unwanted negative emotions. But the price is paid by a “Carrier” – a woman who is paid to take on your pain. When Viv goes to work for Eudaimonia, she discovers even darker secrets.

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Sci-fi columnist Emily H. Wilson rounds up her favourite reads of the year to date – and highlights one particular book as her top pick

by Paul Tremblay

I’m super excited about this one. I’ve loved Paul Tremblay ever since I read the absolutely terrifying Shirley Jackson-inflected A Head Full of Ghosts. This time Tremblay has written a piece of AI horror, set in a near future where former professional gamer Julia is offered a temporary job escorting a man in a vegetative state from California to the East Coast. Why is the man in this state? Because he has an AI mind implanted in his head – and he is trapped in a strange and morphing hellscape he can’t escape. Loved the great riff on Philip K. Dick in the title.

by Deb Olin Unferth

Set at “the end of the world as we know it”, as its publisher writes, this follows two women who fall in love – one of them raised in a research pod deep in the ocean, and the other who works in a luxury resort as a bartender (but who may also be a robot). Together, they try to “salvage some trace of planet Earth” as it slowly disappears.

by Riley August

Ellis feels something is missing from his seemingly perfect life, so he sets out for the hedonistic world of Planet Happy. Nara is the attendant tasked with ensuring that Ellis will indeed find happiness on his trip, but activists disrupt the visit, and they set out on an adventure together.

by Sheila Armstrong

I have this on my bedside table ready to read when I get a minute – it’s the book I’m most looking forward to in July. It follows a dog’s uncovering of a strange antler in a restored bog, which leads to the discovery that the peat is an ancient dying ground of the Great Irish Elk. These aren’t the first things to be found in the bog. Archaeologists have already discovered prehistoric settlements and the mutilated body of a woman, 2,000 years old. And the deep time of the bog seems to have a sinister influence over the lives of those who have been touched by it.

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by Nadia Afifi

Azad is a fugitive, hunted by the Vitruvian Authorities after he exposed his home planet’s dark secrets. If he really wants to spark rebellion, Azad needs the help of a space pirate with her own agenda – and they must revisit the past.

by Rob Grant and Andrew Marshall

The first new Red Dwarf novel in 30 years is a prequel, written by co-creator Rob Grant and Andrew Marshall, creator of the sitcom 2point4Children. It sees the mining ship Red Dwarf orbiting Saturn’s moon Titan, with the crew – including Lister and Rimmer – all planning their latest shore leave. (Lister, interestingly, is planning to find a cat to smuggle back on board…). But everyone’s plans go awry when a cryptic message from the future arrives.

by Gregory Bastianelli

A blend of science fiction and horror, this follows a doctor, Monica Cucinotta, working in an Italian hospital on the frontlines of a deadly virus which causes thorns to erupt on the bodies of its victims. When she is infected , she has to leave the hospital and travel across a devastated world to get back to her loved ones.

The best new science fiction books of May 2026

New science fiction from big names including Ann Leckie, Alan Moore and Martha Wells are just some of the exciting crop of titles out this month

by Claire McGowan

This sounds terrifying – and pleasingly Handmaid’s Tale-ish. It’s set in a version of Great Britain ruled by the Hope Party, where a series of new laws have made a swathe of changes, including a rewilding of the countryside, and a prioritisation of children’s rights. But fertility is constantly monitored, and abortion and contraception are banned. Kate is is too scared to say anything against these new norms, but is forced to take action when her daughter becomes pregnant.

by Rebecca Thorne

I like the look of this piece of cosy science fiction, in which Torian acquires an ancient and abandoned starship covered in moss. But when Torian sets out on board, keen to get away from her overbearing ex-captain (and ex) Amelia, she discovers that the moss is in fact Moss, the ship’s organic computer, and it has a mind of its own.

by David Arlo

This sounds rather silly but also fun. It follows game developer Hal, who has been working for years on “the most anticipated video game of all time”, in which players enter a fully immersive virtual reality where they can live their fantasies. Hal needs to do a final test off the record to see if he can genuinely achieve total immersion, so tries it out on his family – only to discover they can’t escape from the game. So, he goes in to save them and bring them back to reality.

by Christian Kracht, translated by Daniel Bowles

Kracht has previously been shortlisted for the International Booker prize; now, his publisher is comparing his latest to Ursula K. Le Guin and Jorge Luis Borges. It tells the story of a designer, Paul, who is walking through the corridors of a server farm in Norway – until he vanishes in a blackout. Meanwhile, in another time and place, a man wakes up in a forest, and a young girl helps him to an icy settlement. This sounds really intriguing.

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There is plenty of intriguing sci-fi on offer this month, whether it’s solar-powered cities from Adrian Tchaikovsky or a strange future from M. John Harrison

by Meg Smitherman

A gothic sci-fi novella in which interplanetary transporter Midonia is given the job of flying Sister Irena to a planet where the people worship a deity known as Anguish. But when their ship is grounded by a solar flare, Midonia is stuck on the planet, where a strange voice starts invading her mind at night.

by Calvin James

We’re promised both romance and sci-fi in this tale about junior supply officer Levar, who is called upon to serve as a diplomat in peace talks because he once dated an Imperial baroness. Then he discovers that a former lover, Astrid, is actually the Demon Emperor, and their feelings for each other are still very much present.

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�ճ����91av Book Club has been reading a popular-science classic in June: Richard Dawkins’s , which celebrates its 50^th anniversary this year.

I hadn’t previously read this one – it had always intimidated me (an English graduate). But my colleague Rowan Hooper, a behavioural ecologist as well as our podcast editor, reread it to see how it holds up today and concluded it pretty much did. He had a few issues with the biology and said it “feels its age” – Dawkins himself admits to “sexist pronouns” in a 1989 preface – but Rowan found that “the core message remains relevant not just because genes being selfish is a brilliant meme (a term Dawkins coins at the end of the book), but because it is such a powerful way to understand how evolution operates: the metaphor makes us think as if genes behave selfishly”.

Read an extract from The Selfish Gene by Richard Dawkins

Dive into the opening of The Selfish Gene's first chapter 'Why are people?', the 91av Book Club’s read for June to mark 50 years since the popular science classic was first published

It was time to gird my loins and embark on a book I’ve always been a bit embarrassed for omitting. I have to admit to being a little exhausted at first: there was preface after preface in my edition, in which Dawkins was arguing with all sorts of people about how the book had been received. This was somewhat confusing, given I hadn’t – yet –  read it. I should have skipped straight to the first chapter.

Once I got into it, though, I found myself (mostly) carried along swimmingly by Dawkins’s writing. He certainly has a knack for a good metaphor – I particularly liked the idea of our bodies as “survival machines” for genes. Without having studied any biology after the age of 16, I got my head around his central point: that natural selection works because genes, or copies of them (replicators, as he calls them), are out to survive, building the optimal bodies (or survival machines) in order to do so.

I did find his tone a little irascible and hectoring at times. It was like he was having conversations with various colleagues/rivals about his points, rather than the general reader. For example, talking about how “one gene may be regarded as a unit that survives through a large number of successive individual bodies”, he writes that “it is an argument that some of my most respected colleagues obstinately refuse to agree with, so you must forgive me if I seem to labour it!”. We’re also firmly told about the correct pronunciation of “algae” (a hard “g”, people). There’s a lot of that sort of thing, but I finished feeling pleased to have got my head (mostly) around his argument.

Book club members were less impressed – this is, I think, the book that has received the most negative comments of any we’ve read, with a handful of members deciding not to join us in reading it at all, as they disagreed with some of Dawkins’s personal views. (I share the perspective of member pwhipp, who wrote on our channel: “I don’t think we should reject serious scientific writing simply because the author is combative, controversial, or personally irritating. If we did that consistently, the shelves would become very thin indeed.”) Pwhipp, by the way, called The Selfish Gene “an important and very well-written book, whatever one thinks of Dawkins’ public persona or his outspoken atheism”.

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Pwhipp was in the minority, however. Alan P was one re-reader who felt “underwhelmed” by The Selfish Gene. “The text is (as he admits himself but doesn’t change) sexist throughout. It’s not just the assumption of male pronouns for general statements, but there are some comments in the end notes and the text of the book itself that even for the eighties are questionable,” he wrote. “The tone is argumentative – sometimes I’m not clear that it isn’t argument for its own sake – but it’s definitely jarring. The endless footnotes contradicting the text are really difficult to follow. If the science has changed then the text of the book needs to change as well. So it may be that it was a masterly summary of the known science in its day – but now it’s a bad tempered, difficult to follow, mess.”

Alan did enjoy the new chapter “Nice guys finish first”, added to later editions: “I was always of the opinion that genes don’t make ethics so it’s nice to have the idea that even if genetic determinism was a thing, that cooperation is a successful strategy in the wild.”

The Selfish Gene at 50: Why Dawkins’s evolution classic still holds up

When Richard Dawkins’s first blockbuster book was published half a century ago, few genes had ever been sequenced or studied in detail. Yet the book’s gene-centred view of evolution still has much to teach us in today’s genetic age

Dee55, meanwhile, first read The Selfish Gene back in the early 80s and found it “an absolute revelation” at the time. Going back to it was “interesting”, but, as a humanities graduate, Dee55 found “specific challenges in following some of the arguments”. “I enjoyed the Chapter 5 stuff on the ESS (evolutionary stable strategy) as a fun ride, but I think I need to reread it before continuing. I am very aware that I am just not in a position to assess RD’s ideas in the context of other evolutionary biology thinking,” Dee55 wrote.

Rowan took a deeper dive into the book in a longer piece for 91av, speaking to biologists about its message and what still stands today. Taking into account developments in the field that have happened over the past 50 years, Rowan wrote that “all the evolutionary biologists I spoke to for this piece struggled to find major problems with The Selfish Gene”. There was one exception: the idea of the meme, which, despite its memetic proliferation today, “doesn’t hold up”, he was told.

Overall, then, a thorny choice: this particular piece of popular science was notedly unpopular for the 91av Book Club.

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Writing this as the UK swelters under an unprecedented May heatwave, perhaps it’s small wonder that so many science-fiction authors are currently imagining miserable versions of an overheated future in which their characters are struggling to survive. I’m intrigued by the sound of sci-fi legend M. John Harrison’s upcoming take on a dystopian future, but if post-apocalyptic hellscapes aren’t your thing, I’m also happy to report that there are other options for sci-fi fans this month. I’m already enjoying time-travel adventure The Traveler by Joseph Eckert. Next, I’m going to explore Isabel J. Kim’s sci-fi spin on immigration, Sublimation, as soon as I can get my hands on it. And then for a little light relief, I’m planning on lining up Adrian Tchaikovsky’s Green City Wars.

by M. John Harrison

I am excited about this book: M. John Harrison is a really classy writer, winner of all sorts of awards, and his latest novel sounds right up my street. It’s set in a future years after an obscure “crisis” changed everything, in a world where the seas are full of new creatures. Phillip, who makes a living collecting objects that wash up on the tideline from the Channel, discovers a creature that keeps changing…

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by Joseph Eckert

I started reading this over a weekend and it turned out to be exactly what I was in the mood for – a rip-roaring time-travel adventure with the love between a father and a son at its heart. It follows the story of Scott Treder, husband and father, who first “slips” on the way to work: one minute he’s in his car, the next he’s rolling down the road, his car gone – and it’s a day later. The slippages start at 7:52 am every morning and keep doubling in length until he’s hurtling through time, losing weeks, years, decades, as his son Lyle grows up before his eyes, and no one knows how to stop it. Lyle, though, is determined to catch the father who is leaving him behind.

by Isabel J. Kim

This sounds really intriguing from the Nebula award-winning Isabel J. Kim. The conceit is this: when you emigrate, you leave a literal version of yourself behind. You can keep in touch with your original “instance”, in the hope of one day reintegrating; Soyoung Rose Kang, however, left home at 10 and hasn’t spoken to her other “instances” again. Now she’s living in New York, but when her grandfather dies, her Korean instance says she needs to come home for the funeral.

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As the science fiction author publishes the latest novel in his Children of Time series, Children of Strife, he talks to Alison Flood about mantis shrimp, the pleasures of sci-fi and why empathy is so important in his writing

by Adrian Tchaikovsky

I’ve only just finished Adrian Tchaikovsky’s previous novel, March’s Children of Strife, and now sci-fi’s most prolific author has another book out. It does look fun, though – set in a solar-powered future, it sees humans living in luxury. It’s a luxury kept in place, however, by unseen “Little Helpers”: artificially enhanced animals who keep the green cities running and have one key rule: “do not bother the humans”. We follow freelance raccoon investigator Skotch, whose latest case is finding a fugitive mouse scientist – while also keeping that cardinal rule.

by Emily Paxman

More post-apocalyptic survival here, but in the form of cosy romance. In this version of the future, Kayla lives in the wasteland of the Canadian Pacific Northwest. When her sister April falls ill, they trek to Salt Spring Island, which still has a hospital, but are unable to access its medical care. A panicking Kayla makes a deal with an aspiring politician, Sid, to save her sister – she’ll marry him to get her treatment. But real feelings start to emerge in this arranged marriage.

by Meg Elison

This novel sounds wild – but in a good way. Philip K. Dick award-winner Meg Elison imagines a world where some right-wing billionaires have decided to take control of the US by cloning the original Founding Fathers and raising them in secrecy, so they can restore the US to its “original glory” once they are adults. But then “Ben” (Franklin, I assume) discovers a smartphone in the “privy” of their isolated island plantation, and the young men decide to take their lives into their own hands.

by Amil, translated by Joheun Lee

The world of the future is (again) ravaged, and in Korea people escape their miserable real lives by using virtual reality headsets. High schooler Soop is bullied by her classmates because she is unable to access VR. She pins her hopes on meeting K-pop star Yichae, who is coming to film a music video at her school.

by Cheong Ye, translated by Slin Jung

Schoolteacher Youngah lives her life according to everyone else’s rules but secretly hates it. So, she undertakes a four-week emotion-regulation programme. Once completed, she unleashes her unfiltered self on the world, throwing off the expectations that have always been imposed on her – and she loves it.

by Keely Jobe

In a small feminist community on an isolated mountaintop, Mila is struggling to keep things from falling apart, while nearby an orchid endling is about to die. When the women of the community mysteriously become pregnant, and Mila gives birth to the only boy, their ideals are put to the test.

by J.P. Lacrampe

Helper robot Cy isn’t delighted when he’s tasked with helping his owner’s 35-year-old son Grayson “get out of his funk”. But then Grayson discovers that his CEO sister, Charlotte, is planning to sell the family company to a tech conglomerate, and he decides to plot a corporate takeover. Cue a “mad-cap adventure”, which the publisher says is a “whimsically speculative ode to Wodehouse’s Jeeves and Wooster”.

by Nathan Tavares

It’s 1977 in an alternate US, one where the US launched its space program shortly after the second world war. Mitch joined the US Spaceguard because his lost love, Flynn, did; he’s been stuck in a backwater moon base ever since – until he’s dishonourably discharged and returned to the US. Then Flynn comes back, claiming to be the host for an emissary from a utopian alien civilization…

by Peter F. Hamilton

This is the sequel to Hamilton’s EXODUS: The Archimedes Engine, set in a far future where the human population has been reduced to little better than serfs by the Celestials. Can Finn and his allies finally throw off their shackles?

by Cristina LePort

This high-concept medical thriller sees cryogenically preserved scientist Peter and his wife Monica wake up two centuries into the future. The world they discover is dystopian, with the devastating “mitocancer” a global threat.